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The Feminist Porn Book: The Politics of Producing Pleasure
weaves together writing by producers, actors, consumers, and scholars of feminist pornography, investigating not only how feminists understand pornography, but also how feminists “do” porn–that is, direct, act in, produce, and consume one of the world’s most lucrative and growing industries.
“Contributors aren’t afraid to both objectively praise and criticize advances the industry has made (such as the way feminist porn has, for some, come to equate “soft” porn, and prescribe stereotypes of female desire), and provide both practical ways to become a smart feminist or queer porn consumer alongside academic approaches to the movement. The collection also rightfully includes essays on racial, queer, and transgender representations in porn, topics often marginalized in this discussion. Besides being extremely thoughtprovoking, this must-read collection is accessible to all readers, and the topic inherently makes it engaging and fun.”
is just such a contribution, and I predict this volume is going to find its way onto the bedside tables of several generations of American women. This volume brings together academics, activists, and porn entrepreneurs who have a startling array of interactions with pornography as an experience, a business, and a field of inquiry. This text is straightforward and informative in ways that are unfortunately rare in the multi-decade feminist struggle over porn. It’s also fun and sometimes a bit naughty to read. The authors do not assume that the porn industry as it exists is the one essential and only possible incarnation of porn. Instead, they assume that when feminists engage, intervene in, produce, and study pornography, they can radically alter its formations and meanings. At the core of the book is the question: Can porn coexist with the principles of feminism? No matter how one ultimately adjudicates this question,
“Finally the time is right for feminist porn! This stunning collection by academics and artists in dialogue accounts for the massive changes in technology, erotics, modes of spectatorship, and embodied identities which impact the world of pornography. As this volume demonstrates, we are now far from the sex wars of the 1980s, the sex panics of the 1990s, and well into a new era of erotic representation. In order to make sense of new and emergent worlds of desiring bodies, trans-femininities and trans-masculinities, transgressive racial performance, and the erotics of disabled bodies, read
